Photography and time-based media is the repository of memory.
This fragmented illusion constructed as ‘reality’ functions as part documentary,
part dreamscape. Stories that emerge as unbridled as stars - les echelles des meaux.

Art making is a salubrious enterprise- one that is approached by Ms. Moux as
a documentarian, archeologist, and voyeur. Her work is threaded by a narrative
that feeds and links these seemingly disparate worlds. Shooting from a bedroom
in Brooklyn, the streets of Latin America, Asia, or the Middle East becomes an
exercise in equations. The latter being re-invented, and carved out by a vision that
renders all equal. These reflections ultimately catch light, like mirrors upon the self.
It is in their revelatory nature that the work is rendered - Nude in the halls of time.

It is the narrow scope of the mind which holds the body prisoner, from one location
to the other. Her ‘exposures’ are ragtag embers pointing the way.